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万物云宋澜涛谈城市更新：既要做好硬件改造 也要建立运营和维护机制_我的网站

A |     　　8月26日下午消息，第四届“10+N”城市管理局长联席会议城市治理现代化与全域智能运营创新实践研讨会在新疆举行。    South Korea has steadily built a reputation for creating some of the most inventive and spine-chilling horror films. If you are thinking of simple jump scares, you are in for a lot! Simply put, K-horror thrives on atmosphere, folklore, psychological complexity and a uniquely Korean blend of tragedy and terror. These films pull you in with stylish direction and layered storytelling. Interestingly, they leave you thinking about their implications long after you’ve locked all your doors and switched on every light in the house.If you’re ready for a guided tour through Korea’s most unforgettable nightmares, here are ten of the best Korean horror movies for you to watch with your lights on.     In This Article      1. A Tale of Two Sisters (2003)2. The Wailing (2016)3. Train to Busan (2016)4. I Saw the Devil (2010)5. Gonjiam: Haunted Asylum (2018)6. Thirst (2009)7. The Host (2006)8. The Call (2020)9. Whispering Corridors (1998)10. The Piper (2015)1. A Tale of Two Sisters (2003)          Kim Jee Woon’s gothic psychological horror remains a benchmark for modern Korean cinema. Loosely rooted in an old Joseon-era folktale, the story revolves around two sisters who return from a mental health facility only to encounter escalating tension with their cold and unpredictable stepmother. From its dreamlike cinematography to its suffocating atmosphere, the film invites viewers into a labyrinth of memory, trauma and hallucination. Instead of spelling things out, it asks you to piece together the truth.     2. The Wailing (2016)          If A Tale of Two Sisters is a fairy-tale nightmare, The Wailing is a sprawling supernatural epic disguised as a crime drama. It is set in a quiet mountain village that is plagued by bizarre illnesses and gruesome murders. The film follows an overwhelmed police officer who becomes embroiled in a series of events involving shamans, demons and eerie strangers. Director Na Hong Jin blends spiritual mythology with real world dread. The Wailing isn’t just scary; it is unsettling in a way few films dare to be.     3. Train to Busan (2016)          Zombie films may feel overdone, but Train to Busan revitalises the genre globally. It is set almost entirely aboard a high-speed train, as the story begins with a viral outbreak that transforms commuters into ravenous undead within minutes. What elevates the film isn’t just the tight, breathless action choreography but its emotional core. At its centre is a father trying to reconnect with his young daughter and their evolving bond anchors the chaos around them. The characters are well drawn, the social commentary is sharp, and the pacing is absolutely relentless. It is a perfect example of how Korean filmmakers turn genre films into human stories.     4. I Saw the Devil (2010)          Not for the faint-hearted, as I Saw the Devil blurs the line between horror and thriller. A secret agent embarks on a mission of revenge after his fiancée is murdered by a sadistic serial killer. Now a cat-and-mouse chase begins that becomes a brutal story of vengeance. The film is horrifying because of the killer’s cruelty and the protagonist’s descent into moral corruption. It comes with slick cinematography and Kim Jee Woon manages to keep the audiences hooked with nerve-shredding tension. The violence is graphic and chilling, to say the least.     5. Gonjiam: Haunted Asylum (2018)          This movie explores the lives of a group of young content creators. They visit an abandoned psychiatric hospital to livestream their investigation for views and sponsorship money. At first, it feels like a mischievous reality-TV stunt. It is complete with pranks planned to scare the audience. But once the group begins exploring deeper into the asylum, the pranks give way to very real and very terrifying phenomena. The film’s shaky-cam style makes each moment feel immersive and real. Also, its exploration of the internet culture adds a modern twist to the haunted-asylum trope.     6. Thirst (2009)          Park Chan Wook’s Thirst is a vampire film unlike any other. The reasons being that it is sensual, tragic, darkly funny and unexpectedly philosophical. The story follows a devoted priest who becomes a vampire after volunteering for a medical experiment intended to save lives. The priest is suddenly torn between his religious convictions and his bloodthirsty new instincts. He begins an affair that spirals into guilt, violence and moral decay. As always, Chan Wook's visual flair elevates the film. Also, the movie does not rely on typical vampire cliches clichés. It uses the supernatural to examine human weakness and spiritual conflict.     7. The Host (2006)          Though often labelled a monster movie, The Host is far more sophisticated than that simple description suggests. It is directed by the globally acclaimed Bong Joon Ho. But interestingly, this movie released before Parasite. It follows a dysfunctional but deeply loving family fighting to rescue their daughter from a mutated river creature that rises from Seoul’s Han River. The monster is frightening enough, but what sets the film apart is its blend of horror, political satire and heartfelt family drama. Bong uses the creature as a metaphor for Government failure, environmental negligence and societal indifference. It’s thrilling, funny, emotional and terrifying all at once.     8. The Call (2020)          A more recent addition to the Korean horror canon, The Call combines time-travel elements with psychological horror. The premise centres on two women living decades apart but connected through a mysterious telephone line. It starts as an unusual friendship, but it quickly turns nightmarish when one of the women uses their link to manipulate the timeline. She gives way to her own violent impulses. The film escalates at a breakneck pace. It blends sci-fi, thriller and horror into a uniquely chilling ride. Its unpredictable twists and menacing energy keep viewers on edge until the final seconds.     9. Whispering Corridors (1998)          A landmark in the revival of Korean horror during the late 1990s, Whispering Corridors is set in an elite all-girls school where mysterious deaths spark rumours of ghosts roaming the hallways. While it functions as a supernatural mystery, the film also critiques the pressures and abuses embedded within Korea’s academic system. Its success spawned a long-running anthology franchise, but the original remains the most impactful, thanks to its eerie atmosphere and emotionally charged storytelling. The school setting, with its empty classrooms and locked corridors, becomes a perfect stage for terror.     10. The Piper (2015)          Inspired by the classic legend of the Pied Piper, this folk-horror gem is set in the aftermath of the Korean War. A wandering piper and his son arrive at a remote village plagued by a rat infestation. At first welcomed, he is soon betrayed by the superstitious villagers. It leads to one of the most chilling revenge arcs in Korean horror. It begins as a quiet and almost pastoral drama. Then it slowly transforms into a grotesque and poetic retribution. The film’s unsettling tone, creepy creature design and moral lessons make it a standout for fans of folklore-based horror.One thing is for sure, Korean horror doesn't simply aim to shock. It often reflects deep-rooted cultural anxieties about family expectations, social hierarchy, Government mistrust, colonial trauma, religious conflict and the wounds left by rapid modernisation. Ghosts in Korean cinema are rarely just monsters. They are symbols of unresolved guilt or injustice. Monsters represent societal failures. Revenge stories become meditations on morality. Even zombie films carry emotional weight.Stylistically, K-horror thrives on atmosphere. Directors take their time setting up tension, focusing on mood, character psychology and beautiful-yet-ominous visuals. The result is a mix of artful storytelling and gut-wrenching fear that resonates with global audiences.Also Read: Inspection Bungalow Review: A Quirky Horror Comedy That Fumbles Its Final Stretch。研讨会上，万物云政府与企业客户服务中心总经理、万物云城总经理宋澜涛发表演讲。他表示，城市更新既要做好硬件改造，也要建立后续运营和常态维护机制。

B | 市场化运营力量应当发挥专业能力，实现身份的三重升级，包括成为城市更新存量空间的长期运营者、完整社区便民服务的组织者和基层治理的重要协同力量。　　据宋澜涛介绍，围绕这一目标，万物云近年来从模式转型、边界拓宽和角色升级三个方面展开探索。在运营模式上，服务正从单个项目管理走向连片运营。万物云提出以街道为基本单元、以3公里为服务半径、30分钟内快速响应的片区运营体系，通过数字化手段实现人力、物资、作业资源统筹调度和高效复用；　　在服务边界上，城市运营也在从基础空间管理向居民便民服务延伸。社区既是居民日常生活的基本单元，也是城市公共服务的重要落点。围绕房屋维护、养老托育、社区商业和生活服务等需求，运营主体需要进一步连接专业资源，补齐居民家门口的服务短板；　　在参与方式上，专业运营力量不再局限于具体作业执行，而是逐步参与基层协同、社区议事、诉求响应和应急保障。在政府主导下，通过市场赋能、社区参与和居民协同，城市更新后的空间才能形成稳定、可持续的运行机制。　　万物云城产品与能力中心总经理卢亮以《以“绣花功夫”共建理想之地》为题发表演讲。卢亮表示，万物云“理想之地”全域智能运营的核心，是把“绣花功夫”从单一管理环节延伸到城市空间规划、建设、运维和服务全过程，把专业巡查、资源调度、现场处置和居民反馈连接起来，转化为稳定的日常治理能力。　　卢亮分享称，在乌鲁木齐市水磨沟区，由当地国资平台与万物云旗下城市服务业务运营主体共同成立的乌鲁木齐博万智慧城市运营管理有限公司，围绕“人+机器+场景”开展全域智能运营探索，以街区和社区为覆盖单元，将市容巡查、社区更新、基层协同和应急保障纳入一体化巡护和处置体系。

C | 　　据了解，目前，万物云全域智能运营实践已在全国近30个城市探索落地，覆盖中心城区治理、产业片区综合运维、交通枢纽服务和公共空间管养等场景。责任编辑：刘万里 SF014。

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